Some rambling

This another article I just wrote for my college newspaper. Per my sister's request, I am posting it here. Once again I had trouble staying within my word limit...

Cancelled!

Oh, what a cruel business television can be. Every year as the television season comes to an end, shows with actual merit get axed by the networks because, unfortunately, a show with "merit" does not always mean a show with "viewers." The injustice is that new shows often must pander to the masses if they want to stay on the air, thus stifling originality. If a show's creator and writers are unwilling to do this, they might actually produce something great, which doesn't necessarily have mass popular appeal and the ability to attract a wide audience. As a result, the network will view that show as not financially viable, mutter some nonsense about wanting to go in a new creative direction with their programming, and add another reality show about fat people dating (see: new FOX show, More to Love).

Granted, the sword falls on shows that deserve to disappear as well as those that don't. I know very few people who were sad to say goodbye to Lipstick Jungle, Moonlight, or Back to You. And I know even fewer who even remember the horribly painful Viva Laughlin, a crime musical set in a Nevada casino--it was yanked from the CBS schedule after 2 episodes. When a network gets rid of a show that deserves to continue, however, devoted fans become outraged. A few years ago, people started launching campaigns for their favorite shows when news indicated that they were in danger of being cancelled. They do this because, sometimes, it actually works. In 2007, CBS decided not to order a second season of Jericho. Fans started sending nuts in the mail to CBS studios, an homage to something that happens in a Season 1 episode. After CBS received about 40,000 pounds of nuts, they changed their minds about a second season and asked people to stop mailing them nuts.

Another one that has been able to survive despite ratings never being very high is Friday Night Lights, the show about high school football in Texas. It features some of the most realistic and inspiring acting, writing, and producing being done right now. Filmed in Austin, TX, the actors of Friday Night Lights have well-written scripts to follow, but they often improvise their scenes based on what flows naturally between their characters. They don't do rehearsals or use constructed sets or block out every movement. As a viewer, you forget that you're watching a television show because it seems so real--just normal human beings experiencing normal things and reacting in ways that we can all understand and relate to.

NBC could have made a purely business decision and cancelled Friday Night Lights after Season 1 or 2 because of its small audience. But, because it's so good, critics love it, as do the fans, many of whom are in the entertainment industry themselves. When it was being considered for renewal, people sent plastic "Save FNL" footballs to NBC, in addition to donating thousands of dollars to a charity connected to the show. For Season 3, NBC made a deal with DirecTV that would keep Friday Night Lights on the air. It was recently announced that this deal was renewed for a fourth and fifth season.

But these are exceptions to the rule. In most cases, fans can write letters and sign petitions until they are blue in the face, but that is not going to stop studio executives from canceling a show. A notable example is Veronica Mars, the show featuring Kristen Bell as a witty teenage private investigator who solved small cases for her fellow students in addition to big crimes in her town. The CW waited until the last minute to decide not to order Season 4, resulting in a frustrating and unsatisfying conclusion. Another example is Pushing Daisies, from the whimsical imagination of creator Bryan Fuller (the follow-up to his equally unique Wonderfalls, also cancelled before it had a chance to prove itself). Pushing Daisies is about a pie-maker named Ned (Lee Pace) who has the ability to bring things back to life with the touch of his finger. After growing up with this gift, he has learned certain rules that come with it, one being that if he revives something and then touches it again, it will be dead forever. So when Ned's childhood sweetheart is murdered, he goes to see her body in the funeral parlor and can't help himself--he touches her, knowing that he will always love her but can never touch her again.

Among the rest of the taken-too-soon shows, there are some whose cancellation still hurts the fans who loved them, such as Judd Apatow's clever, short-lived series Freaks and Geeks and Undeclared. Joss Whedon's sci-fi western, Firefly, remains one of the greatest travesties ever committed by the FOX network, which did not even allow its final episodes to air so that people could have closure to the first and only season. FOX's mistake is clear, given that even now, 5 years later, it has a cult following of people known as Browncoats who gather for conventions around the country on a regular basis.

A show does not need to have a small number of episodes to be considered "cancelled too early." Sometimes it's just when the people who make a show want to get one more season to finish their story but are denied. Gilmore Girls is one such show. It had 7 seasons, which is a pretty long time, but executive producer Daniel Palladino wanted to conclude with the eighth season and without that opportunity could not bring the plotlines to a satisfying end. As someone who loves television and watches a lot of it, my greatest wish is always that a showrunner gets to decide when is the right time to stop. For Ricky Gervais' British comedy Extras, it was only 2 seasons. Ronald D. Moore decided upon 4 seasons for Battlestar Galactica. Damon Lindelof and Carlton Cuse announced a couple of year ago that they had mapped out LOST to finish after its sixth season in 2010. In each of these instances, the producers knew how long they could create good stories and, with permission from their networks, were given that control. The result is a set of episodes that represent a complete history of the characters and the world in which they live. Like the Harry Potter books, you can return to those shows on DVD and rewatch them from the very beginning, knowing that there is an ending--no ambiguity, no abrupt stop. Unfortunately, networks are rarely inclined to give that much power to a show's producers. They make their decisions based on Nielsen ratings and advertising revenue.

There is a ray of light for those who want to find shows with the creative freedom and potential to become true genius: the recent rise in original programming from cable channels. The same things can be said for all of those channels--they give their shows time to grow. The fear of being axed is not constantly looming over their heads. The results? FX's Rescue Me, the show from Denis Leary about post-9/11 firefighters in New York City; TNT's The Closer, starring Kyra Sedgwick as an LAPD Chief with Southern manners and a twang who specializes in getting criminals to confess; USA's Burn Notice, about a former spy who was fired and got trapped in Miami, where he helps people fix their fraud/kidnapping/extortion problems while he searches for the people who made him lose his job; AMC's Mad Men, Matthew Weiner's show about advertising executive Don Draper (Jon Hamm) and life in New York in the 1950's. These examples are representative of what cable has to offer--and that doesn't even get into premium channels HBO and Showtime that produce shows like The Sopranos, Dexter, Big Love, True Blood, and Weeds, that push the boundaries in what television can portray.

Every one of these shows is completely original and fascinating. They are all critically-acclaimed and award-winning. The reason--their showrunners are given free rein to follow their vision and have intricate characters and stories that evolve over time. Were these same shows produced by one of the networks instead, they would feel pressure to make their early episodes flashy so that they could instantly draw in many millions of viewers. Gone would be the slow development and subtlety of these cable shows. Networks definitely have a few quality shows to offer, but they could take a lesson in creative practices from the cable channels, or perhaps just take themselves out of the strictly business mindset as they have on those certain occasions. They may find that they achieve a legacy of consistent greatness that will outlast a few Nielsen numbers and money from some 30-second commercials.

The Joy of the Season: How I Met Your Mother, Dexter, and other stuff

Happy Christmas Eve! I have been taking this time during the hiatus to: 1 watch a new show (and hopefully another guilt-free one before I return to school/have classes that give me work that I will probably not do anyways because I am always watching television), and 2- prepare for the inevitable emotional toll that Season 5 of LOST and Season 4.5 of Battlestar Galactica will take on me. Based on the way things were left in my other shows, here's what I'm anticipating the most:1) Pushing Daisies- There are only 3 episodes left, and rumor has it that they will all be aired back- to-back one night in January. And instead of the original cliffhanger ending for the final episode, Bryan Fuller did some reshoots and work in post-production to make a satisfying conclusion. Thanks, dude!

2) Friday Night Lights- NBC did not order more than 13 episodes for Season 3. This means there are 2 more to air on DirecTV in January, and then the entire season will be replayed on NBC. We are in the same position as we were last year- we really don't know whether NBC will pick it up for Season 4. DirecTV is happy with the way it performed for them this Fall, but who knows what NBC thinks about it. Their decision is supposed to be announced in mid-January. In the meantime, I am trying not to worry and enjoy the end to this wonderful season, in which the Dillon Panthers are heading to state, Billy Riggins and Mindy Collette are getting married, and the future of all the characters will be revealed (colleges, relationships, etc.). Texas forever.

3) The Office- When will Andy find out the truth that Phyllis revealed to the office at the Moroccan Christmas party? When will Jim and Pam finally get married? What will stand in Angela's way of getting an annulment from Dwight? These are the questions that I have. Mostly I'm just excited for the hour-long, post-Super Bowl, Jack Black-filled episode that promises to be an Office masterpiece.

4) Chuck- Fulcrum continues to hunt for the Intersect. They arranged an elaborate scheme in the Christmas episode to find out about Chuck. And he found out just how far Sarah would go to protect him. It obviously scared him, but I think it will be an important part of their future development. I am looking forward to the Ellie-Awesome wedding (which I am sure will bring the return of Bruce Boxleitnere and more Scarecrow and Mrs. King nostalgia for me), and to as much John Casey as I can get.

5) Desperate Housewives- Even though we are no longer wondering why Dave Williams is on Wisteria Lane (his wife and daughter were killed in the car accident that led to Mike and Susan's divorce), I can't wait to see how his plan unfolds. He is clearly intending to make Mike feel the same pain that he did, which puts Susan and M.J. in certain danger, but I am more interested in the implications this will have for Mike and Susan's future. Seeing them hold hands at the bowling alley, I couldn't help but realize that I still care about their crazy rollercoaster of a relationship over this show's 5 seasons. Bree and Edie are on the backburner right now. Lynette's got a pretty intense storyline at present, but it doesn't intrigue me in the slightest (I think it's the consequence of the ridiculous extremes to which her character has been taken. They've completely lost the nuanced mix of humor and tragedy that she had in Season 1, which is an unfortunate waste of Felicity Huffman's talents). Carlos' sight has been restored which promises to create a lot of interesting situations for him and Gaby.

6) Bones- The first half of Season 4 went out with a dud that didn't really leave one pondering and craving the show over the month-long break. I'm absolutely positive, however, that it will hit its stride soon. I read that the Gravedigger will resurface soon. And this is the preview for the next episode, airing January 15th: "The death of female conjoined twins who worked in the circus is investigated. The investigation leads Brennan and Booth to go undercover as a Canadian knife-throwing act, and also causes Booth to come face-to-face with a clown." That just makes me smile :)

7) Heroes- I'm kind of confused as to how I feel about Heroes right now. This ambiguity, of course, keeps me curious enough to tune in every week, but there are times when I feel like I might abandon it for good. Some episodes are really great ("The Butterfly Effect," "Dying of the Light") and I get excited and think the show is back to Season 1-caliber, and then something happens that just ruins everything (e.g. Nathan suddenly becoming a bad guy who has turned on Peter and Claire and everyone; Hiro losing his awesome control of space and time; Sylar displaying hidden layers to his character and then becoming completely 1-dimensional again and killing Kristen Bell!). Good news: I haven't given up yet, so I remain hopeful. Especially with the confirmation that Bryan Fuller will be moving from my darling Pushing Daisies back to the Heroes writing team. Character development, here we come!

Quick news:

-This Fall, I said farewell to Gossip Girl and Private Practice. Sure, I sometimes have pangs of missing Chuck Bass and Tim Daly. But I think, ultimately, I'm better off for keeping my standards high. This is not to say I think people who do watch those shows have low standards. That would be hypocritical of me, considering I did watch many episodes of both. I just can't be a good, critical tv-watcher when I watch shows like LOST right after I've finished an episode of Private Practice.

-I got behind on Life on Mars, but hearing that the show has continued to gather momentum is motivating me to catch up.

-Brothers & Sisters has sort of fallen to the wayside. I've watched a few episodes without being impressed by what has happened this season. This is not to say I have abandoned it completely- I will read recaps and watch those episodes that seem compelling. I will say this: Steven Weber came back for 1 episode and his chemistry with Rachel Griffiths could not be any hotter. The executive producers should seriously consider making him a recurring character again.

Dexter Season 3- Dexter's relationship with Miguel Prado came to a head when both men had exhausted every possible option to gain control over the other. Our serial killer champion had the benefit of experience after years of living by a code and always accomplishing his goals, in spite of Miguel's power in society as the Assistant District Attorney. In the second to last episode, Dexter understood that Miguel fit into Harry's Code because he had killed an innocent person and would probably do it again if he had the chance. So, he choked the life out of his former friend, whose dying words were: "This isn't over." The truth was that it basically was over. The final episode saw Deb finally receive her much-deserved Detective shield and the last-minute details of Dexter and Rita's wedding fall into place. The only lingering problem that Miguel posed for Dexter was when George King kidnapped him and tried to skin him for information about Freebo's whereabouts. That lasted about 4 minutes before Dexter escaped and broke King's neck. Then, the wedding, and happily ever after! Some people in the online community were disappointed by the normalcy of the finale, but I can appreciate some normalcy after the intensity of this season. Besides which, it was an unexpected way to end things, and to be surprised is what I always expect from this show (if that oxymoron makes sense). And Season 4 will be father time for Dex. Killing people + babies = only awesome on Dexter.

Lastly, a few words on my new acquisition: How I Met Your Mother. By some unique formula, this show manages to be a hilarious sitcom all about friends living in New York (not unique), in addition to a fun and mysterious puzzle that is slowly pieced together (very unique). A father in the year 2030 is telling his 2 kids all about what his life was like as he became the person who married their mother and had them. The main character is Ted, played by Josh Radnor, who I had never even heard of before. I truly do like him, but I must admit that my heart was stolen

by Alyson Hannigan's Lily, Jason Segel's Marshall, and especially Neil Patrick Harris' Barney. He has taught his friends so much about the importance of suiting up, the art of being a wingman, and how to make things legen...wait for it...dary!

My favorite episodes:

1) "Swarley"

Season 2, Episode 7- Barney gets a new name and the gang has lots of fun with it. "Hey, there's a call for Swarls Barkley."

2) "Slapsgiving"

Season 3, Episode 9- Slap #3, my personal favorite, because it is followed by a special song to commemorate the occasion.

3) "World's Greatest Couple"

Season 2, Episode 5- Barney lets Lily stay in his apartment and finds that a fake wife is good for getting rid of one-night stands. Marshall adjusts to single life in a couples-oriented world by going to brunch and the theatre with one of his guy friends.

4) "Slap Bet"

Season 2, Episode 9- We learn about Robin's secret past as a teenage Canadian popstar, and the slap bet begins.

5) "How I Met Everyone Else"

Season 3, Episode 5- Ted's crazy new girlfriend, and reminiscing about the first time they all met.

6) "Intervention"

Season 4, Episode 4- The group decides they should hold lots of interventions because they are so good at them- to get Lily to stop using a fake British accent, to get Ted to stop pronouncing words strangely, to get Barney to stop doing magic tricks, and then an intervention to stop doing interventions.

7) "The Bracket"

Season 3, Episode 14- A review of all the women Barney has slept with and who would have the greatest reason for hating him.

8) "Showdown"

Season 2, Episode 20- Barney goes on The Price Is Right because his mother told him when he was young that Bob Barker was his dad. Lily and Marshall try spending their nights apart before the wedding, but they end up sneaking to a hotel to spoon because they miss each other so much.

9) "The Return of the Shirt"

Season 1, Episode 4- Ted thinks he ought to try again with one of his old girlfriends, but he realizes she's not the One. So he breaks up with her on her birthday. For the second time. Barney gives Robin money to make a fool of herself on the air when she's reporting stories on the news.

10) "The Limo"

Season 1, Episode 11- Ted tries to plan the perfect New Years Eve. A line-up of 5 parties, and meeting not-Moby.

Scene from the end of "Slapsgiving"


Robin Sparkles' hit song

An Update on the Frenzy That Is November Sweeps

Happy Thanksgiving, all! As always, I am incredibly thankful for my television shows and how they continue to bring such great joy to my life. Everything has started to wind down as the end of November draws near. Sweeps have been going on for the past few weeks, which has meant more pivotal storylines, and now the shows are in the process of airing their last episodes until January- the month which will signal not only the return of all of these Fall shows, but also the premieres of Season 5 of LOST, Season 4.5 of Battlestar Galactica, Season 7 of 24 (I remain hopeful for the upcoming season, especially based on this exciting promo, but Jack Bauer could be decidedly less badass after the disaster that was Season 6), and Season 1 of Dollhouse.

Friday Night Lights concluded with Episode 8, "New York, New York," in which Riggins took Jason Street to New York so that he could try to find a job as a sports agent and reunite with his son and girlfriend. Knowing that his "6," his best friend in the world, was leaving Dillon for a new life brought tears to Tim's eyes, which brought tears to mine. Jason's last words to him: "Texas forever." The same words Tim said to him back in Season 1, Episode 1, back when all that mattered was football. Things have changed so much, bringing us to these young men- one of whom has become a fully functioning paralytic with a baby boy and woman he wants to spend the rest of his life with, and the other of whom who is in his first mature relationship with a girl he loves and has colleges trying to recruit him. I am very much looking forward to seeing what the future holds for the Panthers

when FNL comes back in January.

Also finished is Bones, which ended on a not-very-spectacular note, with the episode, "The Bone That Blew." Even though the murder case was unremarkable, it was nice to see Ryan O'Neal again, who Dr. Saroyan hired to be a

science teacher for kids at the Jeffersonian. Bones came up with many reasons why she wanted him to be fired (which Sweets tried to psycho-analyze, of course), but when it came down to it, she said he could stay because she could see how much it mattered to Booth that Parker have smart people around him who could inspire him to learn things.

Heroes has had a run of very good episodes. We've had glimpses into the past, especially the Petrelli family. Sylar has quickly become the coolest character. He and Elle make for a fun team to watch. Hiro and Ando are using the wisdom of comic books to help them on their quest. Peter and Nathan have gone off to find the Haitian, who might be the only person with the power to stop Arthur Petrelli from taking over the world with the power serum that he has acquired. Except the eclipse has taken everyone's powers away, which has had the greatest effect on Claire, who was shot by Elle and is feeling pain that she never thought she would have again. So you know HRG is out for revenge on Sylar and his electric lady friend.

Chuck has been causing me no small amount of anxiety over my favorite geek and the return of his former girlfriend, Jill (played by Jordana Brewster). How quickly he forgot about his love for Sarah! But, of course, Jill turned out to be evil, Chuck realized that his trust was misplaced, and now things are back to fake-relationship normal. Next week, we meet Captain Awesome's parents, and I recently discovered that his father is played by Bruce Boxleitner! Lee Stetson, formerly of Scarecrow and Mrs. King, my first tv love.

Desperate Housewives went with their token, seasonal disaster. A fire, oh no! The only thing valuable that we learned from that was that Dave Williams' plan involves Mike. Revenge about something related to his time in prison, perhaps. Susan is back with Jackson, which I'm really curious about because of the aforementioned Gale Harold accident. Katherine is sleeping with Mike, which I think is lame because, as Bree perfectly put it, women don't do that to each other. Gaby has been dealing with a rich old lady who wants to control the Solis family with her money. I saw a preview in which a doctor told Carlos that his sight may be restored and Gaby doesn't want him to open his eyes and see her diminished attractiveness, which I am very intrigued to see.

Dexter rocked my world with this past episode. I thought I had pegged Miguel Prado (Jimmy Smits), and then I had the rug pulled out from under me. Dexter feels very betrayed, which cannot end well for the instigator of that betrayal... The wedding is fast approaching. Deb has been working tirelessly on the Skinner case was driven to solve it out of desperation when her new boyfriend, Anton, was taken and about to be killed. Do I see a shield coming her way? Harry has become incorporated into the story in a new way- Dexter no longer remembers the lessons of his father in flashback form, he envisions him in fantasy form as a sounding board for ideas in his head.

The Office. Pam is back so she and Jim can have happy in-love moments again. That's the only thing important to mention.

Grey's Anatomy has understandably been weirding people out with its Izzie-Denny love story. I am slightly ashamed to say that I have enjoyed it, but I admit that I'll take Jeffrey Dean Morgan in whatever way I can get him. There was some drama with the interns performing surgeries on each other to learn the procedures. Cristina and Dr. Hunt are slowly but sweetly being drawn together.

And, finally, I'd like to take this opportunity to honor Pushing Daisies, which is definitely at an end. Such a beautiful, heartfelt little show that presented love in a unique way that will never be replicated. I will miss the Private Investigator and Digby and adorable Olive Snook, but most of all I will miss the Piemaker and the way he loved the girl named Chuck. I hear the 13th and final episode concludes with frustrating ambiguity, but thanks to showrunner Bryan Fuller, we have the reassurance of satisfaction with a possible comic book series and feature film.

I'm not quite sure what my next tv plans are. Obviously I'll watch the last episodes of everything before the December break kicks in fully. I'm sure I will watch 1 or 2 new shows. Most likely The Wire and something else. My sister is pushing me to watch True Blood, but I don't know if I can resist comparing it to my already beloved vampire show. We'll see. 'Tis the season, for enjoying new television shows and all sorts of wonderful things.

The ULTIMATE Post, Part 2

Okay, I'm back for the second round! At first, I thought I was a little weak, having to split my catch-up post into 2 parts, but then I realized that I had been working on that first one for about 4 hours... One more thing before I get started- Happy Election Day! I'm just glad it's finally here so that, whatever the outcome, the new administration can get to work trying to help our country (and the world- because after seeing firsthand how much Europeans care about who our President is, I know that America's actions affect everybody). And tonight, I will not even mind that Tuesday is a boring night, television-wise, because I will be watching my favorite news anchor, Brit Hume, doing commentary on the vote returns. Love that man.

Samantha Who?- For a show that I found to be so delightful in its first season, I'm surprised at how much it has gone downhill in Season 2. Granted, there have only been 3 episodes, and 3 not-very-funny episodes do not a Sophomore Slump make. But I was caught off guard by how little I was laughing because when I first started watching it last year, I was cracking up all the time, and I thought it was all due to the comedic talents of the actors. I mean no offense to the writers, but this show has never been very deep

in meaning, nor mind-blowingly witty. So I assumed, "Hey, you put Christina Applegate, Jean Smart, Jennifer Esposito, et al, in a show together, and BAM! instant funny." Those actors are still themselves- they still deliver their lines the same way and interact with each other the same way- but the material they have been given changed. Here's hoping they get it back.

Private Practice- A profound waste of Kate Walsh's talents. We were promised by Shonda that this show would cut down on the soapy drama in the characters' lives and instead focus on the medical cases. That's what makes Grey's so good and enticing- the doctors are responding to the medical situations that they face and learning from their patients. There's always drama in their lives, but it's secondary to the people they help everyday. Well, there is no visible transformation going on in Private Practice. There have been a couple intriguing, but not fascinating, medical crises to deal with- pregnant woman (played by Amy Acker, who is moving to me in whatever role she plays) induces labor at 6 months because the blood from the baby's umbilical cord is the only thing that will cure her dying 7-yr. old son; newlyweds come to Addison for help in getting pregnant and discover that they are brother and sister- and there is still too much ridiculous drama going on with the doctors themselves that I won't even try to explain.

I know from a critical standpoint that I should stop watching this

show immediately. Except I really like Kate Walsh. And Amy Brenneman. And I think this man is adorable ---->.

And I think this man is one

<---------- of the hottest guys on television (Don't judge me, I have a thing for older guys). Anyways! The point is, I'm having a hard time letting go. So maybe this one can stay on my slate as a guilty pleasure until it becomes too unbearable to watch (like Gossip Girl, which I decided to let go about midway through the third episode this season).

Pushing Daisies- It's been 1 year, 1 month, 3 days, and 7 hours since I fell in love with the Pie Maker and his friends. Bryan Fuller has a quirky magic that never gets old. You can see it when

you watch the tragically short series, Wonderfalls, just as you can see it in Pushing Daisies. I'm so happy that it is part of my life, although perhaps not for much longer- ratings have dropped this season, just as they have with many other shows that went off the air because of the Writers' Strike last Fall. It took so long for Chuck, Pushing Daisies, and others to return that millions of viewers had already forgotten about them and moved on (and, let me say, shame on those people!!!). So, yeah, PD needs people to tune in, or it will get the axe from ABC. And that would be an absolute crime.

My favorite episode this season was "Bad Habits." Olive had been staying in a convent (where she, of course, would go out to the hills and sing). One of her fellow nuns fell from the bell tower and died, so Ned, Emerson, and Chuck, went undercover to prove that the nun had not committed suicide. Their findings unraveled a scandal involving the convent's truffle business. I was also a big fan of the most recent episode, "Dim Sum Lose Some," in which the group investigated the murder of the owner of the local Chinese restaurant. Not only do I greatly enjoy the disguises, but they played poker with food! Betting with soy beans, it was a game of 5-dish draw (a full house of shrimp dumplings and beef pot stickers!). We saw the return of the controlling dog trainer, Simone, who has quite a way with Emerson. Also, Ned, with Chuck's

encouragement, decided he was ready to confront his past (when Ned was 9, his father left him at boarding school and never saw him again)- he met his brothers, and they had a cute group hug.

Ned: I'm glad Dad got so fun and creative with naming after I left. 'Goodbye, Ned. Hello, Mercutio and Ribald.'

Chuck: Maurice and Ralston!

Friday Night Lights- I often view FNL as the "Little Show that Could." Watch an interview with Kyle Chandler or Connie Britton, and you will forget that Coach Taylor and his wife, Tami, are fictional characters. Listen to someone talk about how filming works in Austin, Texas: they don't use any fake sets; they shoot their scenes in a single take; even though they have a script, the actors often improvise. All of these things contribute to a feeling of naturalism and authenticity that is unparalleled on television. Like, for serious, it's realer than a reality show.

FNL had a lot of people fighting for it last year when it was in serious danger of being canceled. NBC worked out a deal whereby Season 3 is airing this Fall on DirectTV, and then the episodes will be shown on NBC beginning in January. It's not very convenient, but I take my FNL how I can get it. Plus, I don't technically have to wait thanks to the wonders of SurfTheChannel. After seeing 5 episodes so far, I couldn't be more thrilled. It's as if Season 2 never happened. They have returned to the purity of heart that they had in their freshman season.

There have been a few significant changes-

1) Tami is the new principal of Dillon High School. She is struggling with the lack of funding for teachers, supplies, and building repairs, especially when she looks at the privileged lifestyle of the football team. She is also struggling with an often angst-y teenage daughter.

2) Matt Saracen has been replaced as QB1 (in his Senior year! such an injustice...) by a Freshman wonder boy, JD McCoy. To Coach's credit, he resisted the change as long as he could. JD's parents were pushy and annoying and kept trying to persuade him to play their son. He wanted to stick with Matt because Matt was his quarterback. He had won a State Championship with Matt, and they knew each other. But after Matt lost a crucial game, and the people of Dillon stuck a dozen "For Sale" signs in his front yard, he could not deny that this talented new kid might be better for the team. Plus, while I feel sorry for Matt, he and Julie are insanely close to getting back together. That couple = so freakin' adorable. He'll be okay.

3) Jason Street (Scott Porter) and Smash Williams (Gaius Charles) are on the way out. We love them, they were great characters, but they graduated. They are not the type of young men who would stay in Dillon forever. Each of them has a very special sendoff, worthy of their amazing character. Coach worked hard in his free time to help Smash get back into shape after his injury and to get into college. A couple weeks ago, Smash had a fantastic tryout and made it as a walk-on at Texas A&M. Jason Street is now the father of a little boy. He desperately wants to prove to his baby mama that he can provide for a family. Pretty soon, I gather, the 3 of them will be moving somewhere that Street can start fresh.

4) Lyla and Riggins are trying the whole relationship thing. She definitely brings out the best in that boy. He's not perfect, but he is crazy in love with her and would do anything for her.

The Office- In my view, Season 5 has been characterized by highs and lows. In contrast, Seasons 2 and 3 were consistently hilarious- "The Dundies," "Office Olympics," "The Fire," "The Client,"

"Christmas Party," "The Injury," Dwight's Speech," "Conflict Resolution," "Casino Night," "Gay Witch Hunt," "The Convict," "Traveling Salesmen," "The Return," "Ben Franklin," "Business School," "The Negotiation," "Safety Training," "Women's Appreciation," "Beach Games." I mean, look at those! That's 2 years of some of the most well-written stuff out there! There were very few disappointing episodes during that time. Season 4, on the other hand, was mostly disappointing, with a few stand-out episodes of greatness ("Money," "Chair Model," "Goodbye Toby"). This year, I think, has been equal parts hilarious and 'eh'.

High points:

-"Weight Loss"- At last, the moment we've been waiting years for, Jim proposes. We get a glimpse of the awkward but sweet chemistry between Michael and Holly (played by the

endearing Amy Ryan). Angela and Dwight have been continuing their affair amidst Andy's preparations for his and Angela's wedding ("I have a nice comforter and several cozy pillows. I usually read a chapter of a book, and it's lights out by 8:30... That's how I sleep at night"). Kelly goes to extreme measures to slim down for the company weight loss competition.

Kelly: I swallowed a tapeworm last night. It's going to grow up to 3 feet inside of me and then it eats all my food so that I don't get fat. And then after 3 months I take some medicine and then I pass it. Creed sold it to me. It's from Mexico. Creed: ...That wasn't a tapeworm.

-"Crime Aid"- Michael and Holly get distracted by the excitement of their relationship and leave the building unlocked, allowing everyone's stuff to get stolen. Michael decides to hold an auction, including a hug from Phyllis; Creed ("That's all-inclusive"); going out for a beer with Darryl and the warehouse guys right now; and imaginary Bruce Springsteen tickets. Phyllis gives Dwight advice about Angela ("She introduced me to so many things: pasteurized milk, sheets, monotheism, presents on your birthday, preventative medicine").

Grey's Anatomy- I think I came to an understanding about Grey's at the end of last season. If I don't hold it to lofty expectations, I don't get frustrated. That way, I can enjoy watching it for a purely entertainment value. Season 5 has featured several things:

-The (somewhat) stable relationship between Derek and Meredith. They're together. Now we're seeing the everyday problems associated with that.

-My favorite new friendship, Callie and Sloan. They laugh together, they have sex together, end of story.

-The introduction of polarizing trauma surgeon, Dr. Owen Hunt. McDreamy and McSteamy hate him because he acts like he's still in the desert patching up injured soldiers in the most quick and dirty ways possible. Cristina

thinks he's hot because he stapled his own leg wound without anesthesia.

-One surgery, in particular, that was very awesome. A domino transplant surgery. 12 patients- 6 donors, 6 recipients- that all had to go through with the surgery or the rest would drop out because this sick guy's son gave his kidney to this lady whose sister gave her kidney to this guy whose wife gave her kidney to this guy, and so on. Since it's Grey's Anatomy, there was drama that almost ruined everything, but it all worked out in the end and was quite touching, I thought.

-A particularly funny set of scenes in the dermatology section of the hospital where the doctors get massages in their free time and pour fruity drinks for people and rub each other with lotion constantly. Cristina, Izzie, and Meredith, become entranced by that simple kind of lifestyle they can't even imagine.

-Cristina's interactions with her interns never fail to make me laugh.

Deciding which intern to donate to George now that he is a resident- "I think I'll keep Lexipedia. She remembers many things. And she bathes, which is more than I can say for stinky 2 over there. Yeah, you smell."

Operating on pigs for trauma training- "Hey, no cute names! They're not pets, they're subjects. It's not our job to get all affectionate, it's our job to keep them alive. So I don't want to hear Wilbur or Babe. If you want to call them something, call them sausage. Or prosciutto."

There concludes my summary of what's been going on in television these past 2 months. In addition to Gossip Girl, I scrapped Ugly Betty from my schedule because I didn't care anymore. It was fun while it lasted, but they lost everything I used to like about the show. My next post will be about the new shows I put through my trial run to see if I would pick them up. One was victorious, one was a failure.

A taste of FNL- The Season 1 intro, which has some great clips from the show that give me chills

Pushing Daisies

I have a good friend named John with whom I share a very similar taste in television. When asked to describe this show, he responded, "It's about me smiling for an hour."
Thus far, that is the best explanation I have for why this show is so amazing. I love everything about Pushing Daisies, from Jim Dale's narration, to Ned's gorgeous golden retriever, Digby. I especially love how sweet Ned and Chuck are together and how much they care about each other. That's what makes the story so tragic- the condition of his ability to bring dead things back to life is that if he ever touches them again, they will be dead forever. Still, he and Chuck have managed to find their way around that rule a few times: dancing in beekeeper suits on the roof, kissing through plastic wrap, and installing a panel with a glove in it in between the front seat and the driver's seat so that they can hold hands.
Every episode centers around a murder mystery, yet the show feels like a fairy-tale more than anything, full of color and magical happiness. It really makes me want to spend some time in creator Bryan Fuller's imagination. I think that would be a fun place to be...