Wednesday, June 24, 2009

Summer Musings

After moving into our new house, Charter decided to make my life wonderful by adding HBO, Showtime, and the other premium movie channels to our cable subscription. This has meant that: a) I can watch True Blood when it originally airs instead of on Surf the Channel a day later, and b) I have access to On-Demand. I have definitely been using this newfound power of mine. In the past week, I watched all the episodes of the new Edie Falco drama, Nurse Jackie; the entire first season of Dexter; and random episodes of Sex and the City, Curb Your Enthusiasm, and Party Down. No commercials, just quality television at the press of a button. Magic.

This summer is project time for me.
1) Mom, Claire, and I are halfway through Season 2 of Bones. We girls love us some Seeley Booth.
2) Claire and I are a couple of episodes in to Season 2 of Dexter. She resisted it at first, but now she can't deny that she is intrigued by the show. This is only my second time to watch all the episodes, and I am constantly blown away by Michael C. Hall and how he makes Dexter grow from beginning of S1 to end of S3.
3) My friend Camille and I are working our way through LOST. We started at about episode 2.18 because she had watched those last year but never finished. I think it's a good idea for me to return to the earlier episodes because I see details that I haven't thought about in a while. It gives some perspective to the events of Seasons 4 and 5.
4) And for my own television project, I have started watching Six Feet Under with my friend Will. It is so good- hauntingly beautiful and morbidly funny. The characters are seriously messed up. Frances Conroy is possibly one of my top 5 favorite actresses now. And Alan Ball has definitely joined the pantheon of my television gods.

In addition, I've been keeping up with my regular summer programming, plus a couple extras.

The Closer- The first few episodes have been sad ones. Kitty died, and Brenda was very upset. It seems that marriage has awakened her more emotional side. Now, though, she needs to move past it and give Fritz something to do besides take the cat to the vet! Episode 3 gave Corey Reynolds time to shine when his character, Sgt. Gabriel, shot an unarmed kid while pursuing a murderer. As a result, he was being investigated by a police captain from another department, played by the magnificent Mary McDonnell. She and Brenda engaged in a tug-of-war cat fight for the entire episode that kept me on the edge of my seat. I hope to see more of McDonnell this season! What I need from this show now is a light-hearted episode that features more Lt. Provenza. I want to laugh.

Burn Notice- Michael Westen is no longer bound by chains to "The Management" that burned him, but that means he is also no longer protected by them. So this season began with Michael's arrest. He is being watched and scrutinized by an annoying and inconvenient detective played by Moon Bloodgood. Meanwhile, he is trying to get his spy life back because nothing is standing in his way. This causes some tension with Fi because she wants him to be content with the life they've made for themselves these past couple of years. The standout episode of the season so far was a Collateral-esque thriller that saw the return of clever arms dealer Brennen (played by Jay Karnes) who picked Michael up in a car and said, "Steal this stuff for me today or I will kill your brother, Nate." Michael always breaks out his smartest stuff when his friends and family are in danger, like the Cantenna that used a hanger, some metal washers, and a potato chip can to hack into the bluetooth of Brennen's cell phone.

So You Think You Can Dance- Such a fun show. I fell in love with it last summer, and I'm still enjoying it immensely this season. Granted, there is no "Joshua and Katee" couple that I was instantly attached to and voted for every week. But the format of this show is perfect. It's why I bend my no-reality-tv-shall-ever-pollute-my-brain rule. The choreographers, the dancers, the judges- they're all so entertaining. At this point, I'm rooting for Brandon/Janette and Ade/Melissa.


Nurse Jackie- I've only seen 4 episodes so far, which is too soon to make a solid judgment, but I will say that I instantly got a Mad Men vibe from this show, which bodes well for it. Just like Don Draper in the pilot episode when we got to see the enigmatic man spend a day at work, visit a woman in her NYC apartment, and then drive home to a wife and kids that we didn't see coming, Jackie did almost the exact same thing. She's a tough lady. Yet she has an addiction to pain killers. She is morally ambiguous. She turns a dead kid into an organ donor to save lives. She sleeps with her hospital boyfriend and
then goes home to her adorable daughters and loving husband. Hmmmm.... As for the supporting cast, they are funny and wonderful and pretty much unknowns to me, which I kinda like. The only one I'm familiar with is Peter Facinelli who plays Dr. Cooper. He's adorable.

True Blood- Ahhh, now on to my addiction. The season premiere, "Nothing but the Blood," jumped right back in where we left off. With a foot hanging out of Andy Bellefleur's car. We all feared it would be Lafayette. That's what happens in the book. But Alan Ball cast the entire season in surprise when the foot was revealed to belong to someone else (Miss Jeanette who performed Tara's exorcism). Lafayette is being held as a prisoner by Eric in the basement of Fangtasia because of what happened to Eddie. Bill and Sookie are adjusting to life with Jessica. Jason has joined the inner circle of the Fellowship of the Sun. And Tara is still living with Maryann, whose intentions are very suspect. I could go on and on, believe me, but for now I think I'll just list some of my favorite quotes so far:
"Is there blood in my hair? Pam's going to kill me." -Eric
"We also recycle in this house. TruBlood and other glass items go in the blue container, and paper products go in the white container." -Bill
"Make me a vampire. I'm already a person of poor moral character, so I can hit the ground running." -Lafayette
"I cannot, and I will not, lose you. For all the ways I have dismayed, aggrieved, or failed you, I swear, I will atone. But I am not sorry. I refuse to apologize for what you have awakened in me. You are my miracle, Sookie. For the first time in a hundred and forty years, I've felt something I thought had been lost to me forever. I love you. And for that I shall never feel sorry." -Bill

In my next post, I will take the ballot for the Emmys and make my dream nominations list. If the majority of my picks match with the actual nominations released next month, I might reconsider my boycott. Stay tuned.

Tuesday, June 9, 2009

One-track mind

Here's what I've been thinking about lately:
TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE
BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE
BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE
BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD TRUE BLOOD.


So, yeah. That's pretty much it. I find it sorta difficult to explain what makes my obsession with this show different from my other shows. Obviously, I don't hold it to the same standards as LOST. Nor do I think it changed my life like Buffy. But, at the same time, I can't remember the last time I was this consumed with
excitement for a new season of something. I watched Season 1 online in January just because I was bored at school one afternoon. At first I thought it was a little ridiculous. But I watched all 12 episodes quickly. There was no doubt I was entertained. Then, in March, I decided to watch Season 1 again. And for the last couple of months, I have been True Blood-crazy. I bought the DVDs, rewatched all the eps again with my sister, then watched all the eps that had commentary. I have scoured the Internet for interviews, news, pictures, and promo clips. Season 2 is premiering in less than a week, and I feel like I have to force myself to keep busy just to make the time pass until I can see the new episode. And it is slightly confusing to me because I have no grand delusions about the show. For some reason, I am completely captivated by a telepathic waitress, her vampire boyfriend, and the world in which they live. I think I love it because it's fun, and that's all there is to it. That's why Alan Ball says he wanted to create True Blood in the first place. Stephen Moyer has gone from being someone I was barely even aware of (saw him a couple of summers ago in The Starter Wife, which I didn't even like) to someone I vote for about 50 times in a "Who's the hottest vampire?" contest because I feel so strongly that he should beat Robert Pattinson. I love Vampire Bill. And I do feel like Moyer's real-life relationship with co-star Anna Paquin adds something to the show. It makes it easy for me to become immersed in the story because I know that the love between Sookie and Bill is reality and not fantasy. Plus, my disdain for Twilight aside, vampires are hot. It's the whole biting thing :)





Tuesday, May 19, 2009

Cliffhangers, and other updates

So, I am now happily settled back at home. All my shows have abandoned me, but I also have a few returns to look forward to. At this point, True Blood is the one I am dying for. HBO keeps releasing these freakin' promos that are just driving me crazy (in a good way). Plus, after reading Living Dead in Dallas, the second book in the Southern Vampire series on which the show is based, I am anxious to see how different Alan Ball will make Season 2. I know a lot of fans who would disagree with me (some of those people over at www.truebloodnet.com are even more obsessed than I am), but I like the show better. This is not usually the case for me- in general, the book beats the adaptation any day. But Alan Ball is simply a better storyteller. And the actors make those characters so compelling. And, I can't help it, I love Stephen Moyer's Vampire Bill, so reading about that complete jerk version of Bill in the books hurts my heart. And I do not accept it. So here's hoping that Alan Ball will take some major creative liberties. Staying true to the spirit of Charlaine Harris' work is a good thing, but allowing oneself to be confined by an already-established story instead of exploring new possibilities would be boring. June 14th cannot get here fast enough...



Also returning soon is Burn Notice on June 4th. The adventures of Michael Westen and Co. are always entertaining, so that will be nice to have again. I don't exactly know when The Closer premieres Season 5, but I assume it will be some time in July. And Mad Men, unfortunately, got into production rather late and does not come back until late August. This is lame. The most pressing matters will be the future of Sterling Cooper, or rather, Don Draper's future with the company, given the merger and new leadership. And, more importantly, the fact that Betty is pregnant with a child neither she nor Don wanted. Season 2 took a bit of a time leap from the conclusion of Season 1, so I wonder how much time will have passed to the beginning of Season 3.
So You Think You Can Dance is about to start. I have very strong negative feelings towards reality tv in general, but this is one of my few exceptions. It is so much fun, and I hope I will find a dancer this season who I can love as much as Joshua from last year. Having the guy you vote for every week end up winning is so exciting. Is it too much to ask for that to happen every season???
Network upfronts have been going on the past couple of weeks. As a result, I have been glued to the Twitter app on my iPhone to see what Ausiello had to report. Here are some of the crucial things: 1) Chuck was renewed. Season 3 will have 13 episodes, airing midseason on NBC. Reduced budget might mean less time with the filler characters like Lester, Jeff, and the rest of the Buy More peeps. Honestly, I don't think this will affect the show that much. I'm just so excited at the prospect of the new and improved Chuck. And NBC and Subway made some big, multi-faceted deal about sponsorship of the show, so it seems like buying that $5 footlong did make a difference!! 2) Dollhouse was renewed. Season 2 will have 13 episodes, airing midseason on FOX. Reduced budget might mean....I don't really know what, but with the high quality writing, I doubt the money thing will affect them that much. I think FOX would have been foolish not to give Joss, Eliza et al the opportunity to explore their story further. And I would just like to point out that I was totally right about both of these shows getting renewed even when tv critics said they didn't have much of a chance. And now those people justify the renewals with the same reasons I have been saying all along (re: FOX, Firefly, Eliza, Joss, etc.). So.... there. 3) Castle was renewed. I am greatly pleased. This show was a delightful addition to my slate and I would have been sad to lose it. Nathan was so adorable and tweeted that he didn't know what to do with himself because his shows never get a 2nd season.
Those are the major announcements. None of my shows were casualties!! I can't remember the last time that was the case. Upfronts was also a time for network people to speak out for some of the shows, which provided interesting insights (Kevin Reilly on House- unbelievable things in store; Steve MacPherson on LOST- S6 will have "some of the best writing ever"). There was a bit of schedule rearranging. Bones will now be paired with Fringe on Thursdays. If I do end up going into entertainment journalism, I think upfronts would be a really fun event to attend. I love montages and other presentation stuff about shows I love! And even about shows I don't really care about.
On to the major stuff: season finales. This year featured a mixed batch. Top honors go to LOST for literally going out with a bang. The hydrogen bomb exploded and the possibilities for Season 6 are endless. I mean, it's pretty clear to me that time was changed. Otherwise, Jack, Kate, Sawyer, and all the 1977 Losties would be dead and there would be no show to come back to. Really, the question now is HOW was time changed? With Jacob now dead, killed by Ben at the urging of evil, possessed Locke, will everyone's lives be different? Flashbacks saw Jacob showing up at key events in several characters' past. Will that alter history? Will the plane still end up crashing? Season 6 is basically going to be the fulfillment of my entire existence. Questions will be answered! Finality will be achieved! Of course, some questions will remain, but I don't mind- LOST wouldn't be the same if there weren't an air of mystery to it. My primary concern is what characters might return (*fingers crossed* Charlie!!!). And, to a lesser extent, but I acknowledge that I still care a lot, whether Kate ends up with Jack or Sawyer. My money has always been on Sawyer, and not just because he is my favorite character. I think they belong together.
The finales of Dollhouse and The Office were really good, too. The reveal that Dr. Saunders was actually a Doll blew my mind. Mostly, it was a deeply profound episode that explored things like the soul and identity. I was really proud of myself for predicting, way back after the very first episode, that Ballard was going to become involved with the Dollhouse. Seems like he's going to be working for DeWitt in some capacity. And then on The Office, there was a company picnic that reunited Michael with Holly. I love them together. Their performance, "Slumdunder Mifflinaire" tanked, but I was enjoying every second. And then Michael went and talked about them being "one of those couples with a long story," and my heart just melted. Dwight's intensity about the volleyball tournament was terrific. And, oh yeah, Pam was pregnant. Jim was in shock and overcome with emotion. Can't wait to see what happens next year.
In the middle of the finale pack would go Desperate Housewives and Brothers & Sisters. With DH, I think the standard was set too high by last year's 5-year leap forward. I just can't bring myself to care that much about who Mike married. I did like the whole thing about Lynette being pregnant. That was funny. Everybody else's stories were pretty amusing. It was an alright episode. B&S was the same. The whole fam went to Mexico. I teared up in the last scene with Nora and Tommy. That was well-acted, and a nice send-off for Balthazar Getty. I adored Kevin per usual. Kitty was still bugging me, right up to the point where she chased after Robert to stop him from leaving. She didn't get to the helicopter in time, but it gives me hope that not all is lost for them next season.
And then, I am sad to say, I was a bit disappointed by Bones and How I Met Your Mother. A coma dream. A not-very-compelling murder story that told me nothing about any of the characters. They're loyal. I already knew that. Then, Booth wakes up and has amnesia. Hmmm... Intrigues me for next season. But beyond that, the episode was a dud. And then a silly little episode about Ted's 31st birthday. Not nearly as epic as previous season finales. The Barney-Robin stuff was kind of ridiculous. I wasn't expecting a definitive development between the 2 of them, but I expected something that would evoke emotion in me on the same level as Barney's sweet longing for Robin all season. And as for Ted and the mother, we found out where he first comes into close proximity to her. So at least that's something. But I'd say that "Right Place Right Time" was the peak of this season.
So that wraps everything up. I have occasionally mentioned a few shows that are on my "Intent to Watch" list. This summer is about working through that list. Projects I have going at the moment: 1) Getting my family hooked on Bones. We have watched 7 episodes in Season 1 so far. It's about to start into the greatness. Also, Claire and I have 3 episodes left in Firefly. That's a quick one to get through, with only 14 episodes total, but she's definitely a new Browncoat. 2) Get some of my friends hooked on stuff. I'm going to start watching LOST from the beginning again (for, like, the 4th time) with someone. 3) Watch shows I've never seen before. The Big Bang Theory. The Wire. Prison Break. 4) Watch shows I've fallen behind on/haven't ever watched all the way through. Fringe. 24. House. Sons of Anarchy.

Friday, May 1, 2009

The Chuck-Bones-Heroes-Office-Housewives-Lost-andmore Post

So, I have sucked at updating this thing the last couple of weeks. I blame stupid school for giving me so much work to do. Only 8 more days, though! Can't wait to get out of here and be my carefree, tv-watching self all the time. Lots of important stuff has been happening with my shows in the past couple of weeks. It as, after all, Sweeps time. Here's a rundown of the chaotic happenings, from Wisteria Lane and the Buy More, to Seattle Grace and the Island:

Desperate Housewives- Okay, admission: my interest in DH has been dwindling. This has happened before, and somehow Marc Cherry always manages to pull me back in. With an interesting new character like Katherine Mayfair. With a game-changing finale like the 5-year leap forward. I have reached the point where I don't mind occasionally missing an episode and then just reading the recap to find out what went on. But we're getting down to the last few episodes when everything gets resolved, which I always enjoy seeing, even when it's one of the lamer conclusions (a la Alfre Woodard's storyline). The Dave Williams mystery has been slow-building with so few twists that I anticipate a let-down in the finale. Oh well, what can I say, I'm attached to the characters, and it would take something major for me to give up on them entirely- although I readily concede that I was much happier with the "7 seasons and we're done" plan than the announcement a few months ago that they are probably extending it to 9 because so many people still watch it (but they might stop watching if you drag things out!!). Anyways, that's enough ranting from me. Here's what's up: Lynette is working for Carlos, which has created some stress in her relationship with Tom. I have always liked her better interacting as a wife than as a mom. It's just funnier because she gets too intense and serious in matters involving her kids- see: threatening to kill a man for Porter. So Carlos is back at his high-paying executive position, but he and Gaby have both made an effort not to revert to their former selfish behavior. Gaby likes being glamorous again, yet she is also a mother and knows what it means to care for others above herself. Katherine has been kinda isolated from the girls lately because she seems to be all about her relationship with Mike- a relationship that bores me to tears. I get that he likes the stability and lack of drama, basically the antithesis of Susan, but there is no chemistry. Dave has been plotting revenge against Mike (whether he was going to kill Katherine, or MJ, or Susan, who knows) because of the car crash that killed his wife and daughter. Now he knows that Susan was driving and will be turning his attentions to her. Edie found out what he was up to and was devastated. For a minute there, it looked like he was going to strangle her, but he let her go. She got in her car and drove away as fast as she could, in the process of calling someone to inform them of her discovery when she had to swerve to avoid hitting someone, ran into a telephone pole, which fell and electrocuted her when she stepped into a puddle of water (the episode with the girls sharing never-seen stories of Edie's positive impact on their lives was very touching). The person who ran out into the middle of the road and caused her crash was none other than idiotic, kleptomaniac Orson. I used to like him so much! And now they've turned him into a pathetic joke. Bree has been dealing with all his issues for a while, but she seems ready to divorce him, with Karl Mayer as her lawyer and new love interest. Richard Burgi will be fun to see again- he always makes things interesting.

Brothers & Sisters- Sadly, I have all but given up on B & S. My love for the Walker family has faded because they have changed into people I don't really like or respect. Except for Kevin. I once thought he was whiny, and now he is my favorite character. So I am still somewhat interested in what happens to everyone. There is a real chance that I will drop it after this season, depending on the finale. The whole situation with Ryan has been way less important than they built it up to be. Plus, I don't like him because he's got a real "creep" vibe coming off him. I was unaffected by Rebecca and Justin's breakup. I like both characters, but I thought they had more chemistry in Season 2 before they were together. Sarah has been pretty funny lately (temp accountant/volunteer firefighter in the storage room, that's all I'm gonna say). I like that she is back at Ojai. Holly is still being manipulative, but what else is new. Tommy is gone, and I am glad. I didn't even mind that they got rid of him in a ridiculous surfing-in-Mexico-possibly-joining-a-cult way. And because of all the difficulties that caused for Julia, she took Elizabeth to Seattle where she got a teaching position. Watching Nora say goodbye to her granddaughter, and Kevin to his daughter, was heartbreaking. Matthew Rhys! You are amazing! And, finally, that brings me to Kitty. Oh, Kitty. I don't even know you anymore. Robert is still the same man he's always been, but now she just feels differently about his character traits (e.g., ambition). Oh, fiddle dee dee, it's only marriage! Having an emotional affair is clearly the way to go. And I'm putting this one on the B & S writers. They already addressed this issue with Sarah, but at least she was torn up about it. So Sarah is in the position to give Kitty advice, says, "Stop going to the damn park," and instead Kitty kisses him. Even though Robert had just found out about Alec and she could see how much she had hurt him. I'm furious about this. I would be even if I didn't really love Robert. This stuff better get fixed or I'm out of here.

Chuck- Has been wonderful in every way I could possibly think of. We found out that Chuck's dad (Scott Bakula from Quantum Leap) was Orion, the man who had built the Intersect. He got kidnapped by FULCRUM and Sarah went rogue to help Chuck rescue him. Casey had to hunt them down but ended up working with them because they're his team. Awwwwww. So Chuck's dad was forced by his captors (Chevy Chase as a bad guy was jarring at first, but he did a really good job) to build a new Intersect computer. When Chuck, Sarah, and Casey got there, the program was activated, and the images removed the Intersect from Chuck's head. He was finally free, and felt like an enormous weight had been lifted off him. Then he had to get his dad back to Burbank in time for Ellie's wedding. The finale started out with Chuck and Casey quitting at the Buy More. Then General Beckman invited Chuck to be part of the new Intersect project, but he declined. He was going to do normal-guy stuff. So Sarah and Bryce were assigned as partners again, and Casey went off to join his Marine Special Forces unit. At the wedding, Chuck was sad to learn about Sarah leaving. He went into the reception area to drink some wine and found FULCRUM agents there. They wanted the new Intersect computer or they would kill Ellie. Chuck called Casey, and Marines parachuted in, shot the place up, and took Chevy Chase prisoner. Except the wedding was ruined because Chuck needed Morgan to create a diversion so he got Jeff and Lester to get up in front of the church and sing "Mr. Roboto." And they set off fireworks which set off the sprinklers. So Ellie was very mad at Chuck. But he used his government paycheck to organize a wedding on the beach. It was beautiful, and then there was a reception back in their courtyard. Chuck and Sarah were dancing, and she was just about to tell him that she wasn't going to leave him, when Chuck's dad told them that the agent who had come to bring Bryce to the Intersect was not CIA. Because as it turns out, one of Casey's Marine buddies was a traitor. Not FULCRUM, but some other bad agency. So, even though his job as the Intersect was done, Chuck went with Sarah and Casey to find Bryce and stop the new enemy from getting the computer. Sarah and Casey got pinned down while fighting, but Chuck got to the Intersect room where Bryce was. He had been shot, and he died. As Chuck was about to destroy the computer, he thought back on what had happened to him since all this Intersect stuff had started and realized he wasn't a normal guy anymore. He uploaded the new program into his head and then sent a power surge through it. So when the bad guys finally got into the room, bringing Sarah and Casey in handcuffs, they were mad. But before they could hurt anyone. Chuck flashed. With Kung Fu skills. And he took every single one of the agents down. About 6 of them. Casey and Sarah looked on in shock. And when it was done, and Chuck saw what he had done, he said, "Guys, I know Kung Fu."

How I Met Your Mother- This has the been the season of pointlessness. Not that I haven't enjoyed most of it ("The Naked Man," "The Stinsons," "Murtaugh"). But, if you think about it, Lily and Marshall have had nothing important happen to them. Marshall has had a few amusing storylines at work. Ted has made
no progress whatsoever in his quest for "The Mother." He lost his job and opened his own architecture firm, but that's it. Barney has been the best character by far all year because we have gotten to see him deal with his love for Robin. The finale will certainly be some sort of big moment with the 2 of them, but I tell ya, I am going to be very frustrated if we don't have a Ted revelation, too.

Heroes- Volume 4, "Fugitives," came to a close this week. Nathan and Peter fought Sylar. Nathan got his throat cut. But then HRG and Mama Petrelli devised a plan- Matt Parkman could alter Sylar's mind to erase Gabriel and replace him with Nathan's memories, personality, etc. I am intrigued to see the ramifications of this in Volume 5, "Redemption." Parkman had serious reservations about doing that. Now will he return to Janice and his baby racked with guilt over using his powers to do something so manipulative? And some remnants of Sylar surely remain within Nathan (I was relieved to hear that Zachary Quinto was not leaving the show). And now there is a new Company, which, in the spirit of the original group, will work to hide the truth about people with abilities. Hiro and Ando (or, "The Crimson Arc,"
as he wants to be called) are returning to Japan. It seems like everyone- Claire, Peter, Mohinder, and the rest- are going to try to return to a normal life. But I think after everything they've been through this season, they will be there for each other when danger inevitably comes knocking again.

Castle- More than I ever thought I would, I am loving this show. I knew I might keep watching it for Nathan Fillion and justify it to myself, but I honestly expected it to be pointless and cheesy. But it has packed an emotional punch. The cases are unusual and interesting. And character development has actually been a priority! Castle and Beckett's relationship as partners has grown, much to her chagrin. I loved seeing her confide in him about her mother's death when she was younger, and how the person who did it was never caught. Then later, he secretly started studying the case file. My favorite episode was called "Home Is Where the Heart Stops," in which a wealthy NY society woman is killed for her jewelry and then stuffed inside her safe. Castle took Beckett to a benefit so that they could look for suspects (they both looked ah-mazing, he wore a tux and she wore a dress he sent to her with a card that read, "Bippity boppity boo" hahahaha). And then when they figured out who the murderer was and went to arrest him, Castle had to stay in the car (he played with the comm radio and pretended like he was a cop, "This dirtbag's all mine"--So cute!), and then the bad guy was trying to make a getaway and tried to steal the car. Castle wrestled around with him, got punched in the eye, and then Beckett took him down. "Go ahead, I need the practice." ABC must renew this show!!

Rescue Me- Usually about 5 or 6 episodes in to a new season of Rescue Me, I have to stop watching for a while and then catch up later because the level of testosterone becomes a little too much for me to handle. You'd think I would be de-sensitized by now, but it is still jarring to me to hear those firehouse conversations. Season 5 has been easier for me to manage. Mike, Sean, and Franco are opening a bar together with Mike's inheritance money. Tommy passed his psychiatric review because the doctor wanted revenge on the chief, who is a total jerk. Janet is dating a wheelchair-bound man named Dwight (played by Michael J. Fox), and his conversations with Tommy have been hysterical. They almost came to blows at one point, until Tommy realized what his condition was. Colleen is dating Black Shawn, who took a while to work up the courage to tell Tommy. Shortly thereafter, Tommy had a conversation with his eldest daughter about the importance of "test driving" a car before you buy it. I went into a slight state of shock when I tried to imagine my own dad having that conversation with me. One storyline that has been driving this season has been the presence of a French reporter. She is writing a coffee table book on 9/11, and her conversations with each of the guys has been very revealing. Lou, Franco, Tommy, Mike, the Chief- they all present unique perspectives on the event, and, ultimately, I think that's what Rescue Me is about.

LOST- Ever since that most wonderful of episodes, "316," the Losties have been in 2 separate times.
2007: The Ajira flight crashed on Hydra island. Ben, Locke, and Sun returned to the main island. Resurrected Locke has some inexplicable new knowledge about his destiny and the island. Sun is following him because she wants to find Jin. Ben is following him because... well, who knows what Ben is up to. He went to face judgment with Smokey and was allowed to live. But Alex appeared to him and said that had to go with Locke and do whatever he said. Frank is still with the survivors from the plane. But that group has plans of their own. They've got guns, and they are taking over. "What lies in the shadow of the statue?" Creepy...
1977: Jack, Kate, and Hurley are the new Dharma recruits. Sawyer, Juliet, Miles, and Jin have adapted pretty well to their new life, but their peaceful existence is over. After Kate and Sawyer took Young Ben to the Hostiles, one of the security guys saw the video and was going to turn them in when Sawyer knocked him out and tied him up in the closet. Fans had their suspicions confirmed in the episode, "Some Like It Hoth," when Miles told Hurley that Dr. Chang was his dad. We got a glimpse of the Swan station being constructed. Then came the episode, "The Variable," which set into motion the chaos that will carry through until the finale in 2 weeks. Daniel Faraday returned from doing research in Ann Arbor. He told Jack that his mother (Ms. Hawking) had been wrong. Their destiny was not to return to the island. He made Miles take him to the Orchid station, where he tried to tell Dr. Chang that he had to evacuate everyone from the island. He told him that he was from the future and that Miles was his son. Then, he got Kate and Jack to take him to the Hostiles so that he could speak to his mother. Meanwhile, Sawyer knew that their time in Dharmaville was over. He, Juliet, Miles, and Hurley packed up their stuff to leave, but their actions had already been discovered and they were caught before they could get away. We saw Daniel explain to Jack and Kate that maybe the future can be changed, that free will makes it possible to alter destiny, and that maybe if they could negate the electromagnetic energy in the Swan station then Oceanic flight 815 would never crash on the island. Then Daniel walked into the camp of the Others, pointed his gun at Richard Alpert, and demanded to speak to Eloise. She shot him. He looked up into her eyes and said, "You knew this would happen and you sent me here anyway." So in the flashbacks, we had seen a mother pushing her son to use his mind to do extraordinary things, never allowing him to lose focus. There was inner conflict etched into her face. She already knew what had happened in her past, in Daniel's future. She would kill her own son. But his revelation about "the variables" being able to change all the laws of quantum mechanics that he had believed for so long meant that the elderly Ms. Hawking, the one in the present day, no longer knew what would happen. Her son had set so many things moving, allowing change to occur, that the future was now unclear to her. Oh yeah, and Charles Widmore is Daniel's father. Doc Jensen talks in his columns about how Season 4 mirrored Season 3, Season 5 mirrors Season 2, and Season 6 will mirror Season 1. I think his theory may be right: I think when time changes, 815 will still crash on the Island, and they will all be right back where they started. Maybe even in the exact way that Doc predicts, with Charlie saying, "Guys, where are we?" Oh my gosh, if Dominic Monaghan came back, I would be so excited. Another theory that I think will be correct (this one from my dear friend Will): the "Adam and Eve" skeletons in the cave, lying next to the black and white marbles, will be Rose and Bernard. They must have gone back to the 1970s, too, because of all the flashes, and then they just made a life for themselves in the jungle. After the finale, when I have had some time to think about everything and what the implications will be in the last season, I'm going to post a summation of my own theories (before I read Doc's). It will be fun to have them recorded, and then next year be able to come back to them and see when I'm right (but probably more often, how very wrong I am).

Bones- There have been lots of new Bones episodes over the last few weeks, and that has suited me just fine. Stand-outs were the episode with a murder in the world of death metal. Stephen Fry returned as Dr. Gordon Wyatt, offering insights to Sweets on his book and on Booth and Brennan, and to Booth and Brennan on Dr. Sweets. They really have become like his family, and I think that's awesome. Also, the episode with the murder of a Japanese girl who turned out to be the sister of one of Booth's detective friends. Brennan has been making an effort to be better at understanding people, better at empathizing with them, and better at realizing what she wants to change about her own life. And not that it had any really important insights, but the episode in which they went to the funeral of a man who had worked at the Jeffersonian led them to investigate his murder. By stealing his body from the coffin. It was like a slapstick comedy, reminiscent of Bringing Up Baby or something. Other significant happenings: Cam adopted a teenage girl. The girl's father was murdered, and Cam had once lived with him and been like a mother to the girl when she was about 6-yrs. old. Angela and Roxie broke up, and per Sweets' recommendation, she is trying celibacy for a while to learn how to connect to people on a deeper level. Coming up in the last few episodes: Brennan asks Booth to father her child. Whoa. And the finale is going to be awesome, and I can't wait to see Zach and Brennan's dad again!!!

The Office- I have loved the last several episodes. They have been hilarious as usual, but they have also been steadily moving the plot along. Michael quit at Dunder-Miflin because he could not adjust to Charles Miner's management style. In a very Jerry Maguire moment, Pam left with him because she could not stay in a job that bored her so much and filled her life with no meaning or inspiration. Ryan joined them, and they became "The Michael Scott Paper Company." Their office was in a storage closet down the hall from Dunder-Miflin. The 3 of them had a grand old time, throwing cheese puffs into each other's mouths, making 5 am deliveries, stealing clients from their former co-workers. And Dunder-Miflin was feeling the loss of business. David Wallace came down from corporate to visit and decided that the best option was to buy Michael's company. Instead, Michael, Pam, and Ryan decided that they wanted to return to their old jobs, except with Pam as a salesman instead of a receptionist. I expected everyone to be happy that Michael was back. Except, of course, Kelly and Angela who fought for Charles' attentions. Stanley wouldn't be forced to stop working on his crossword puzzles and be assigned the role of "Productivity Czar." Jim would no longer be treated like an idiot. I didn't know how Dwight would react because his loyalty transferred to Charles, and he and Michael entered a very competitive mindset with each other. But in this week's episode, "Casual Friday," Andy, Stanley, Phyllis, and Dwight were demanding their clients back. They felt like Michael had betrayed them, telling them that they were all a family and then when he left, hurting their work. And Michael was upsetting everyone by favoring Pam and Ryan, acting like they were an exclusive group and creating a photo collage of "Memories." I liked everyone being back together again. And I liked that everyone had their own moments of brilliance, with some of the focus returning to Toby, Creed, Meredith, etc. So I look forward to seeing what the rest of the season has in store, especially knowing that one of those things will be the return of Holly.

Grey's Anatomy- After almost strangling Cristina in bed, Owen is in therapy to help him deal with his Post-Traumatic Stress Disorder. Thatcher came back, and Lexie got to introduce Mark to him. Bailey is still working towards a fellowship in Pediatrics. Alex is being very sweet taking care of Izzie. George, with encouragement from Owen, is starting to focus on trauma surgery. Derek proposed to Meredith in the elevator. Izzie has been planning the wedding to keep her mind off her cancer treatment. She's going a little crazy, but she keeps playing the "Cancer Card" to get everyone to do what she wants. There was a scene a couple weeks ago that I laughed so hard, I had to pause the television until I could pull myself together. Meredith was talking to Derek about how all the dresses Izzie was making her try on were ridiculous, and if they didn't do something about it, Derek would be wearing a morning coat and she would be "walking down the aisle to 'Wind Beneath My Freakin' Wings.' " So Derek went into talk to Izzie, she broke down crying, he came out with a serious look on his face and said to Meredith, "Apparently a morning coat is non-negotiable. And we need to make time to take ballroom dance lessons." Next week will be the 100th episode. Denny will be back, and Jeffrey Dean Morgan said in an interview that he believes it is for the last time.

Dollhouse- The anticipation has been building for us to finally meet Alpha. The last 2 episodes are going to be LEGEN- -wait for it--DARY. Ballard has been suspended from duty, but he is still searching for the Dollhouse, guided by someone on the inside (Alpha?) who has sent him messages via Echo one time and November one time. I still can't get over the Mellie-being-a-sleeper-active thing! Dominic was revealed to be an NSA agent. They sent him to "the attic," which was truly disturbing to see. Boyd has replaced him as Head of Security, but he has had a difficult time letting go of Echo. He still wants to protect her. She has a new handler now, but I want to see her interact with Boyd. Even though she has been re-programmed, I believe she will innately trust him. I like how Adelle has started showing some more of her humanity. The episode in which she and Topher were affected by a drug and displayed "Band Candy"-esque teenage behavior was very funny. And then we discovered that it was, in fact, she who continued to use the services of Victor for the "Miss Lonely Hearts" mission under the guise of being an old lady in need of some cougar lovin'. But we saw Victor become "Roger," a dapper young British fellow who gave Adelle a chance for emotional escape. I felt sorry for her. Also, I would like to see more of Dr. Saunders- what happened to her and what's going on inside her head.

I also want to say a word (or several words) about the possible cancellations of Chuck andDollhouse. Obviously, I'm worried about them, but I truly feel optimistic. With Pushing Daisies, I knew it would get cut. Same with Veronica Mars. I think my hope is justified for Chuck and Dollhouse. The campaign to save Chuck has been so well-organized and passionate that I think NBC can't possibly ignore it. And I did my part to join the effort: bought the Season 1 DVD's; let a friend borrow them so that she could get hooked (which, of course, she did); wrote about the show on my blog/Facebook/Twitter; watched new episodes when they aired on Monday nights; re-watched episodes on NBC.com; and went to Subway on finale day and bought a $5 footlong- all to save my favorite geek. Yes, NBC already deserves some credit for keeping Friday Night Lights alive despite the small ratings. But, seriously, Chuck HAS to get a 3rd season. The season finale this week was so freakin' amazing and opened up possibilities that I could not be more excited to see play out. I read an interview with Josh Schwartz in which he talked about the amount of support he has been getting from the network, so I am liking Chuck's chances. And Dollhouse's, too. Okay, here is where I am in the minority. My favorite writer at EW, Doc Jensen, says Dollhouse has "very long odds against it." Ken Tucker said that the most recent episode "felt as though the show was presiding over its own funeral. It gets better week after week, while there seems less and less hope of it surviving." Michael Ausiello wrote in AA that, "as far as a second season goes, I don't have any solid evidence to back this up (aside from those anemic ratings), but I'd say it's a long shot." None of the peeps I read have agreed with me. But, for some reason, I think Dollhouse will get a second season. Maybe not another one after that, but at least one more. What basis do I have for saying this, besides a feeling? Well, look at the show's origins: FOX made a contract with Eliza Dushku because they wanted her to do some projects for them. Eliza was able to pull Joss Whedon in to helm the show. The same Joss Whedon with a still-painful history with FOX (*tear* Firefly). The same Joss Whedon with one of the most loyal, obsessive fan bases in television- and I'm not just saying that because I'm one of them. So the fact that he was willing to work with FOX again indicates that they do have an interest in his particular brand of creativity and serialized storytelling. There must be some sort of mutual respect going on behind the scenes between Whedon and the network execs. Deciding after only 13 episodes to dismiss this show, which has only begun to develop into the potentially mind-blowing awesomeness that it could be is just foolish!! I know, I know, this is the same network of American Idol, Are You Smarter than a 5th Grader?, Don't Forget the Lyrics, 'Til Death, and other shows that make me cringe to think about (Moment of Truth, anyone?). But, FOX is also the network of Bones, House, and Fringe. So that's the best that I can explain my optimism. All that being said, I know that business sometimes gets in the way. I will be absolutely devastated to lose either one of these.

Monday, April 13, 2009

Some rambling

This another article I just wrote for my college newspaper. Per my sister's request, I am posting it here. Once again I had trouble staying within my word limit...

Cancelled!

Oh, what a cruel business television can be. Every year as the television season comes to an end, shows with actual merit get axed by the networks because, unfortunately, a show with "merit" does not always mean a show with "viewers." The injustice is that new shows often must pander to the masses if they want to stay on the air, thus stifling originality. If a show's creator and writers are unwilling to do this, they might actually produce something great, which doesn't necessarily have mass popular appeal and the ability to attract a wide audience. As a result, the network will view that show as not financially viable, mutter some nonsense about wanting to go in a new creative direction with their programming, and add another reality show about fat people dating (see: new FOX show, More to Love).

Granted, the sword falls on shows that deserve to disappear as well as those that don't. I know very few people who were sad to say goodbye to Lipstick Jungle, Moonlight, or Back to You. And I know even fewer who even remember the horribly painful Viva Laughlin, a crime musical set in a Nevada casino--it was yanked from the CBS schedule after 2 episodes. When a network gets rid of a show that deserves to continue, however, devoted fans become outraged. A few years ago, people started launching campaigns for their favorite shows when news indicated that they were in danger of being cancelled. They do this because, sometimes, it actually works. In 2007, CBS decided not to order a second season of Jericho. Fans started sending nuts in the mail to CBS studios, an homage to something that happens in a Season 1 episode. After CBS received about 40,000 pounds of nuts, they changed their minds about a second season and asked people to stop mailing them nuts.
Another one that has been able to survive despite ratings never being very high is Friday Night Lights, the show about high school football in Texas. It features some of the most realistic and inspiring acting, writing, and producing being done right now. Filmed in Austin, TX, the actors of Friday Night Lights have well-written scripts to follow, but they often improvise their scenes based on what flows naturally between their characters. They don't do rehearsals or use constructed sets or block out every movement. As a viewer, you forget that you're watching a television show because it seems so real--just normal human beings experiencing normal things and reacting in ways that we can all understand and relate to.

NBC could have made a purely business decision and cancelled Friday Night Lights after Season 1 or 2 because of its small audience. But, because it's so good, critics love it, as do the fans, many of whom are in the entertainment industry themselves. When it was being considered for renewal, people sent plastic "Save FNL" footballs to NBC, in addition to donating thousands of dollars to a charity connected to the show. For Season 3, NBC made a deal with DirecTV that would keep Friday Night Lights on the air. It was recently announced that this deal was renewed for a fourth and fifth season.

But these are exceptions to the rule. In most cases, fans can write letters and sign petitions until they are blue in the face, but that is not going to stop studio executives from canceling a show. A notable example is Veronica Mars, the show featuring Kristen Bell as a witty teenage private investigator who solved small cases for her fellow students in addition to big crimes in her town. The CW waited until the last minute to decide not to order Season 4, resulting in a frustrating and unsatisfying conclusion. Another example is Pushing Daisies, from the whimsical imagination of creator Bryan Fuller (the follow-up to his equally unique Wonderfalls, also cancelled before it had a chance to prove itself). Pushing Daisies is about a pie-maker named Ned (Lee Pace) who has the ability to bring things back to life with the touch of his finger. After growing up with this gift, he has learned certain rules that come with it, one being that if he revives something and then touches it again, it will be dead forever. So when Ned's childhood sweetheart is murdered, he goes to see her body in the funeral parlor and can't help himself--he touches her, knowing that he will always love her but can never touch her again.

Among the rest of the taken-too-soon shows, there are some whose cancellation still hurts the fans who loved them, such as Judd Apatow's clever, short-lived series Freaks and Geeks and Undeclared. Joss Whedon's sci-fi western, Firefly, remains one of the greatest travesties ever committed by the FOX network, which did not even allow its final episodes to air so that people could have closure to the first and only season. FOX's mistake is clear, given that even now, 5 years later, it has a cult following of people known as Browncoats who gather for conventions around the country on a regular basis.

A show does not need to have a small number of episodes to be considered "cancelled too early." Sometimes it's just when the people who make a show want to get one more season to finish their story but are denied. Gilmore Girls is one such show. It had 7 seasons, which is a pretty long time, but executive producer Daniel Palladino wanted to conclude with the eighth season and without that opportunity could not bring the plotlines to a satisfying end. As someone who loves television and watches a lot of it, my greatest wish is always that a showrunner gets to decide when is the right time to stop. For Ricky Gervais' British comedy Extras, it was only 2 seasons. Ronald D. Moore decided upon 4 seasons for Battlestar Galactica. Damon Lindelof and Carlton Cuse announced a couple of year ago that they had mapped out LOST to finish after its sixth season in 2010. In each of these instances, the producers knew how long they could create good stories and, with permission from their networks, were given that control. The result is a set of episodes that represent a complete history of the characters and the world in which they live. Like the Harry Potter books, you can return to those shows on DVD and rewatch them from the very beginning, knowing that there is an ending--no ambiguity, no abrupt stop. Unfortunately, networks are rarely inclined to give that much power to a show's producers. They make their decisions based on Nielsen ratings and advertising revenue.

There is a ray of light for those who want to find shows with the creative freedom and potential to become true genius: the recent rise in original programming from cable channels. The same things can be said for all of those channels--they give their shows time to grow. The fear of being axed is not constantly looming over their heads. The results? FX's Rescue Me, the show from Denis Leary about post-9/11 firefighters in New York City; TNT's The Closer, starring Kyra Sedgwick as an LAPD Chief with Southern manners and a twang who specializes in getting criminals to confess; USA's Burn Notice, about a former spy who was fired and got trapped in Miami, where he helps people fix their fraud/kidnapping/extortion problems while he searches for the people who made him lose his job; AMC's Mad Men, Matthew Weiner's show about advertising executive Don Draper (Jon Hamm) and life in New York in the 1950's. These examples are representative of what cable has to offer--and that doesn't even get into premium channels HBO and Showtime that produce shows like The Sopranos, Dexter, Big Love, True Blood, and Weeds, that push the boundaries in what television can portray.

Every one of these shows is completely original and fascinating. They are all critically-acclaimed and award-winning. The reason--their showrunners are given free rein to follow their vision and have intricate characters and stories that evolve over time. Were these same shows produced by one of the networks instead, they would feel pressure to make their early episodes flashy so that they could instantly draw in many millions of viewers. Gone would be the slow development and subtlety of these cable shows. Networks definitely have a few quality shows to offer, but they could take a lesson in creative practices from the cable channels, or perhaps just take themselves out of the strictly business mindset as they have on those certain occasions. They may find that they achieve a legacy of consistent greatness that will outlast a few Nielsen numbers and money from some 30-second commercials.

Saturday, April 4, 2009

A Good Week

I was very happy with my shows this week. They were laying the foundations for May sweeps storylines and that means very exciting things are about to occur.

Chuck is finally moving forward. A couple of weeks ago, Chuck's search for Orion, the man who had built the Intersect, ended. Unfortunately, the dude died. But he did leave behind some information for Chuck and told him to study it so that he would know how to get the Intersect out of his head when the time came (Chuck taped the diagrams to the pages of an issue of Ex Machina. I was very pleased). Then this latest episode focused more on the Sarah-Chuck relationship, which, I admit, has been wearing on me this season. It's the same old tale: Sarah and Chuck have a moment of closeness. Then one of three things happens: Bryce Larkin shows up; Sarah pushes Chuck away; or Chuck decides he needs to break up with Sarah so that he can stop lying to himself and find a real relationship and have a normal life and get the Intersect out of his head and blah blah blah. As much as I love Chuck, he has been kind of annoying me lately. I wish he would stop being such a wuss. I often find myself yelling at my television, "Toughen up. Learn how to withstand some torture. Learn how to use a gun. Or at least be able to defend yourself without Sarah and Casey having to rescue you every time." There's a reason that Sarah was so attracted to MI-6 Agent Cole Barker (played by Jonathan Cake)- he was a real man. Chuck certainly exhibits admirable qualities when his friends or family are in danger, but he is also very whiny sometimes. I think the last couple of episodes have shown that Chuck is starting to take control of his life to some extent. He knows what he wants and he's going after it. And this week, the Sarah-Chuck relationship ventured into some new territory, which was very refreshing. General Beckman sent an agent to determine whether Sarah and Chuck's feelings for each other were hindering her job as his handler. Played by Tricia Helfer, Agent Forrest was very hardened (and very much Casey's type), but in the end, Chuck convinced the General that Sarah was so good at protecting him because they cared about each other. And Casey agreed. When Sarah thought she was never going to see Chuck again, she found his father for him so that he could keep his promise to Ellie and get their dad to come to her wedding. At the end of the episode, Sarah went with Chuck to see his dad, and that's where we pick up on Monday.

Wednesday's episode of LOST, entitled "Whatever Happened, Happened," was very emotional. Through Kate's flashbacks, we learned that Sawyer had asked her to take care of his daughter, Clementine, before he jumped out of the helicopter last season. She followed through on that promise. She found Cassidy, and they became very good friends. Kate told her the truth about everything they had been through. It was clear that she needed someone to talk to besides Jack. Cassidy provided some insight into what Kate had gone through- Sawyer jumped out of the helicopter because he was terrified of what would happen when they got back to the real world; Kate was so determined to raise Aaron because she had a broken heart and she needed that love in her life. Flashbacks also revealed what happened the night that Ben met with everyone on the dock and then Kate showed up at Jack's apartment. She stopped at a supermarket because Aaron was thirsty. Then she got distracted, and when she turned around, Aaron was gone. She frantically searched for him before finding him with a woman who, from behind, looked exactly like Claire. She then took Aaron to the hotel where Ms. Littleton was staying and explained everything to her. Kate then said that she was going back to the island so that she could find Claire. Leaving the little boy with his grandmother, Kate said goodbye to him while he slept. Evangeline Lilly was incredibly moving in this scene, and I hope Kate carries this emotion with her for the rest of the series. Back on the island, our Losties were under house arrest so that Sawyer could make sure nobody suspected them for lighting the Dharma van on fire and letting Sayid out of his cage. Miles and Hurley had a very amusing conversation about the rules of time travel- one of those times where the writers know the audience has questions about something confusing and creates a scene where the characters have the same questions. Little Ben was bleeding out from his gunshot wound, and Juliet needed a surgeon to help her repair the damage. Jack refused. No longer take-action guy, Jack is now let-the-island-do-what-it-wants guy! Kate went to see how she could help. Juliet knew that his only chance for surviving would be to take him to the Hostiles. Kate drove off in a Dharma van to the sonic fence, at which point Sawyer caught up with her, not to stop her but to help her. He called her Freckles for the first time since she got back :) He carried Ben through the jungle, Kate told him about Clementine, and then the Others found them and took them to Richard. He took Ben into Smokey's Temple, saying that he healing him would cause him to lose his innocence and become one of them forever. Kate and Sawyer knew what that would mean- they had seen what the manipulative grown-up Ben had done- but they were going to do everything they could to save Little Ben's life because he was just a boy. Come on and get back together, you too! Juliet needs to leave the picture. I feel bad saying that because I like Elizabeth Mitchell, but she has been cast in a new show. I hope it's as a series regular because Kate and Sawyer are meant to be together.

The series finale of Life on Mars aired after LOST. It tied everything together in a very satisfying way, and the resolution was a big surprise. I'm so glad that Executive Producers Scott Rosenberg and Josh Applebaum were given enough advanced notice from ABC to make Season 1 a complete story (even though I think they should have renewed it for a second season because it's better than most of their programming anyways). After everything he had been through, the mysterious phone calls and the tiny robots and the hallucinations, 1973 Sam decided to stop trying to get back to 2008 and stay right where he was. He realized that he was in love with Annie. Then, all of a sudden, he woke up- not in 2008, but in 2035. He was an astronaut who had just landed on Mars. Annie, Chris, and Ray were all there, too. Everything had been a glitch in the dream sequence that he was programmed to have until their spacecraft landed. And the best moment of all was when Harvey Keitel climbed out of his bed and we found out that he was actually Sam's father. "Whatever strange place you find yourself in, make that your home."

Monday, March 30, 2009

The Most Valuable Players in Television

I have been noticing that certain actors continue to pop up in my favorite shows (what excellent taste they have in choosing their work!). Whether they play a main character in something, or just frequently appear as a guest star, I think they deserve some recognition:

Amy Acker- Most importantly, she played Winifred Burkle ("Fred") on Angel. Just a brainy Texan girl who got sucked into a vortex to another world, went a little crazy, and then joined Angel's demon-fighting crew. She holds the honor of making me cry more than any character I've ever seen. Her death in the Season 5 episode, "A Hole in the World," absolutely broke my heart. Wesley was destroyed, and so was I. Luckily, Amy got to stay on the show as the ancient god Illyria, who pretty much just used the characters as her playthings, but when she changed her appearance to look like Fred in order to comfort Wesley as he was dying, I wept all over again. After Angel, Amy showed off her bad side as Kelly Peyton in Season 5 of Alias. Ooooohh, she was mean. Then she made an appearance in an episode of How I Met Your Mother. Currently, she is playing the quiet, damaged Dr. Saunders on Dollhouse. Looking at her body of work, Amy Acker is clearly someone with amazing range. (P.S.- her first acting credit: 3 episodes of Wishbone. That is so cool.)

Adam Baldwin- I fell in love with him as Jayne on Firefly. Then I saw him on Day Break, the short-lived, Groundhog Day-meets-cop mystery show starring Taye Diggs. Then Chuck came on, with Baldwin playing John Casey the Ronald Reagan-lovin', tough guy who, along with Sarah, protects Chuck and the government secrets in his head. Last year, when I watched the entire series of Angel, he had a recurring role in Season 5 as the Senior Partner liaison at Wolfram & Hart. And, finally, several months ago as I was watching Bones, he guest-starred in one of my favorite episodes, "Two Bodies in the Lab." The man is definitely an MVP in my book.

Greg Grunberg- It's almost not fair to include him because, as the best friend of JJ Abrams since childhood, he has appeared in every JJ project. So that means I have liked him since Felicity as Sean, the lovable guy with very bad inventions. Then he played Vaughn's best friend, Agent Weiss, on Alias. They started using him a lot more in Season 3 when Sydney came back from her missing 2 years. She and Weiss became friends and went on missions together. Then he started dating her half-sister Nadia in Season 4 which was very cute. Grunberg then had a small role as the pilot of Oceanic 815 in LOST. He died a very gruesome death in about 20 seconds. Finally, he stepped outside of JJ's world as the telepathic Matt Parkman on Heroes. He is one of the only characters on that show who I have always seen as good. He doesn't always make the best decisions, but he always tries to do the right thing. That's more than I can say for anyone else.

Tricia Helfer- Besides an episode of CSI in 2002 and a couple of obscure independent movies, Tricia Helfer's first credit was Battlestar Galactica as the Cylon vixen, Number Six. Not too shabby, if you ask me. What puts her on this list is her stint as Michael's manipulative boss, Carla, in Season 2 of Burn Notice (although, we won't be seeing her anymore since Fiona used a sniper rifle on her in the finale), as well as her guest-starring role on tonight's episode of Chuck as an agent who tries to move in on Sarah's territory.

Zeljko Ivanek- This guy's IMDb page looks like it could be as long as Jack Nicholson's. His television credits include major roles in 24, Oz, Damages (for which he won an Emmy in 2008), and the current season of Heroes. That's not even getting into shows I like in which he appeared in 1 or 2 episodes: the John Adams miniseries, LOST, Bones, True Blood, House, Big Love, Crossing Jordan, and The West Wing. He is definitely doing something right.

Anne Dudek- In addition to her recurring roles on Mad Men (as Betty's gossiping friend, Francine), Big Love, and House (as Cutthroat B.), she was also a memorable guest-star on How I Met Your Mother as Ted's former girlfriend with whom he reconnects. When he breaks up with her on her birthday for the second time, she pummels him with her Krav Maga skillz. She appeared in several other shows, such as Bones, Judging Amy, Six Feet Under, Desperate Housewives, Charmed, and Psych.

Michelle Forbes- She had a big role in Season 2 of 24 (and she didn't even die! The recurring characters always die! Nobody is safe except for Jack and Chloe). Then she was in an episode of Alias, followed by a short but important role in Battlestar Galactica as the horrible Admiral Cain of the Pegasus. She has also had parts on Prison Break and In Treatment (neither of which I watch yet, but I plan on getting to them soon), and most recently I saw her in an episode of LOST and as the mysterious Maryann in True Blood, who I have read will play prominently into Season 2. She brings a certain intensity to every single thing I've seen her in. Very talented.

Dean Winters- I came to know him as the not-very-nice brother, Johnny, of the not-very-nice Tommy Gavin (Denis Leary) on Rescue Me. Johnny was the cop to Tommy's firefighter. He became a bigger character in Season 3 when he started sleeping with Tommy's estranged wife, Janet, causing an understandable rift between the brothers. In addition, Winters was a series regular on Oz and has had a recurring role on Terminator: The Sarah Connor Chronicles. He also played Jason O'Mara's crook father in Life on Mars. And he was in one episode of Sex and the City as Carrie's "buddy."

Patrick Fischler- I had seen him in random things before I actually noticed him as the total jackass comedian, Jimmy Barrett, on Mad Men. He is also currently on LOST as Phil, one of Sawyer's security underlings- though I'm not sure how much longer he'll be around because Sawyer has taken him prisoner because he knows about Sawyer and Kate taking Young Ben to the Hostiles! He has also guest-starred in Pushing Daisies, Burn Notice, Bones, Angel (in one of my favorite episodes no less, "The Magic Bullet") , Veronica Mars, Drive, Monk, The West Wing, and Charmed.

Tony Hale- Not only is he an alumnus of Samford University from my hometown of Birmingham, AL, but he steals every scene he's in, whether it's as Buster, the "special" member of the Bluth family; Emmett, the no-nonsense Assistant Manager at the Buy More on Chuck; or the brain doctor hitting on amnesiac Christina Applegate on Samantha Who?

Mark Pellegrino- Abusive, drug-addicted ex-husband to Rita on Dexter. Thug on Burn Notice. Thug on Chuck. A couple episodes on Prison Break- probably a thug there, as well. But a couple of days ago, the surprising news that he would have an important part to play at the end of this season of LOST. Maybe he will be playing a thug, but I don't know. Something tells me we will see a new layer to this guy.

Swoosie Kurtz- She was Chuck's grumbling, one-eyed Aunt Lily on the whimsical Pushing Daisies. That was sadly (and wrongly) cancelled after only 2 seasons, so when creator Bryan Fuller returned to the producing staff of Heroes, he brought her in to do the episode that he was writing. She also guest-starred in an episode of Desperate Housewives recently, and she played John Locke's less than ideal mother on LOST a couple years ago.

********Ok, so I have tried to highlight some of the lesser-known actors who have made an impression on me. But this list would not be complete without a mention of these all-stars:

Alyson Hannigan- First and foremost, she stands out as Willow in Buffy. She's right up there with Wesley (a.k.a., Alexis Densiof, who in real life be her baby daddy!) and Cordelia in terms of character growth. Then, she had her recurring role on Veronica Mars as the attention-hungry Trina Echolls, followed by a starring role on How I Met Your Mother as Lily--kindergarden teacher and half of one of the cutest relationships ever, along with Jason Segel as Marshall. I heart Lilypad and Marshmallow. Those are three very different shows, and Hannigan plays them all wonderfully.

Mary McDonnell- Also from BSG, her Laura Roslin was one of the most complicated television characters I have ever seen. She evoked a lot of different emotions in me throughout the 4 seasons--love, hatred, frustration, pity, admiration--but my favorite thing about her will always be the care with which she kept the survival count on the whiteboard in her office of Colonial One. Before the Cylon attack, she was the Secretary of Education, and then suddenly, she had to step up and become Madam President. The lives of the human race were in her hands. I didn't always agree with her decisions, but the point is that she was making them, that she was handling the situation. Since filming the finale, McDonnell has already had a recurring role in Grey's Anatomy as a cardio surgeon with Asperger's Syndrome, and she is set to play a police captain who clashes with Brenda in The Closer.

Kyle Chandler- I adore this man. It's a freakin' crime that he hasn't gotten any awards for playing Coach Eric Taylor on Friday Night Lights. I mean, I'm neither a boy nor a football player and even I'm inspired by his locker room speeches and the way he guides those kids. He also had 4 very memorable episodes as "Bomb Squad Guy" on Grey's Anatomy. And way back in the days of PAXtv, I remember watching him on the show Early Edition. He starred as a guy who gets the next day's newspaper delivered to his door by an orange cat, and he becomes a begrudging hero who tries to help people by preventing bad things from happening.

Nathan Fillion- I adore this man, too. He was Captain Malcolm Reynolds on Firefly. The thing that I love most about Mal is how protective he is of his crew. It is so endearing. Nathan also came in at the end of Season 7 of Buffy as the wicked preacher Caleb who worked for the First. Then he had a show called Drive that was cancelled after only a few episodes. I've actually heard good things about it- not that I'm surprised, given that it was created by Tim Minear- so I plan on watching/enjoying this show at some point. And that brings us to now, with him starring as the childish but still endearing and intelligent novelist on Castle. I am happy to say that after 4 episodes, I am very pleased and liking it quite a bit. I don't think I'm just saying that because Nathan is in it. It's probably too early to tell, but so far I think Castle is very entertaining and interesting.

Note: Almost every single one of these people has appeared in episodes of ER, Law & Order, and CSI. Frankly, all actors have appeared in them. I wonder if there's some sort of obligation in the acting community to help those shows cast for the thousands of episodes they do.



Amy Acker, scene from Angel